The Concepts of Vengeance: "Hell's Revenge boils in my heart," - Mozart: When The Dark Lady Sings... Die Zauberflöte - Der Hölle Rache kocht in meinem Herzen - The vengeance of Hell boils in my heart (The Magic Flute)
The Concepts of Vengeance:
"Hell's Revenge boils in my heart," - Mozart: When The Dark Lady Sings...
Die Zauberflöte - Der Hölle Rache kocht in meinem Herzen -
The vengeance of Hell boils in my heart
(The Magic Flute)
"Hell's Revenge boils in my heart," - Mozart: When The Dark Lady Sings...
Die Zauberflöte - Der Hölle Rache kocht in meinem Herzen -
The vengeance of Hell boils in my heart
(The Magic Flute)
“Be polite, be professional, but have a plan to kill everybody you meet.”
https://en.wikipedia.org/wiki/Revenge#/media/File:Peinture_Palais_de_Justice_de_Toulouse.jpgJustice and Divine Vengeance Pursuing Crime by Pierre-Paul Prud'hon, c. 1805–8
____________________________________
Mozart - Die Zauberflöte - The Magic Flute - The Queen of the Night - Diana Damrau - YouTube
Uploaded on Jun 16, 2011
Mozart - Die Zauberflöte - Der Hölle Rache kocht in meinem Herzen - The vengeance of Hell boils in my heart (The Magic Flute)
Die Zauberflöte (The Magic Flute) is an opera in two acts composed in 1791 by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue.
Since its premiere, The Magic Flute has always been one of the most beloved works in the operatic repertoire, and is presently the eighth most frequently performed opera in North America.
Diana Damrau is a German lyric coloratura soprano of the operatic stage. The Queen of the Night from Mozart's The Magic Flute has been Damrau's most frequently performed role to date, as she has been engaged to perform it in over 15 productions at houses including Covent Garden, the Salzburg Festival, the Vienna State Opera, Oper Frankfurt and the Bavarian State Opera, Munich.
Lyrics & English Translation
Der Hölle Rache kocht in meinem Herzen,
(Hells Revenge boils in my heart,)
Tot und Verzweiflung flammet um mich her!
(Death and despair flame about me!)
Fühlt nicht durch dich Sarastro
(If Sarastro does not through you feel)
Todesschmerzen,
(The pain of death,)
So bist du meine Tochter nimmermehr.
(Then you will be my daughter nevermore.)
Verstossen sei auf ewig,
(Isolated will you be forever,)
Verlassen sei auf ewig,
(Abandoned you will be forever,)
Zertrümmert sei'n auf ewig
(Destroyed forever!)
Alle Bande der Natur
(All the bonds of nature,)
Wenn nicht durch dich
(If not through you)
Sarastro wird erblassen!
(Sarastro becomes pale as death!)
Hört, Rachegötter,
(Hear, Gods of Revenge,)
Hoert der Mutter Schwur!
(Hear a Mother's oath!)
Die Zauberflöte (The Magic Flute) is an opera in two acts composed in 1791 by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue.
Since its premiere, The Magic Flute has always been one of the most beloved works in the operatic repertoire, and is presently the eighth most frequently performed opera in North America.
Diana Damrau is a German lyric coloratura soprano of the operatic stage. The Queen of the Night from Mozart's The Magic Flute has been Damrau's most frequently performed role to date, as she has been engaged to perform it in over 15 productions at houses including Covent Garden, the Salzburg Festival, the Vienna State Opera, Oper Frankfurt and the Bavarian State Opera, Munich.
Lyrics & English Translation
Der Hölle Rache kocht in meinem Herzen,
(Hells Revenge boils in my heart,)
Tot und Verzweiflung flammet um mich her!
(Death and despair flame about me!)
Fühlt nicht durch dich Sarastro
(If Sarastro does not through you feel)
Todesschmerzen,
(The pain of death,)
So bist du meine Tochter nimmermehr.
(Then you will be my daughter nevermore.)
Verstossen sei auf ewig,
(Isolated will you be forever,)
Verlassen sei auf ewig,
(Abandoned you will be forever,)
Zertrümmert sei'n auf ewig
(Destroyed forever!)
Alle Bande der Natur
(All the bonds of nature,)
Wenn nicht durch dich
(If not through you)
Sarastro wird erblassen!
(Sarastro becomes pale as death!)
Hört, Rachegötter,
(Hear, Gods of Revenge,)
Hoert der Mutter Schwur!
(Hear a Mother's oath!)
Published on Jan 17, 2013
Full Song Title: Wolfgang Amadeus Mozart - Aria (Queen of night)
Here is another one of my favorite Mozart pieces,it's from the Opera Die Zauberflöte K. 620 (The Magic Flute). Wolfgang Amadeus Mozart is one of my absolute favorite composers and I can't get enough of him :-) .
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty.
At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence on subsequent Western art music is profound. Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote that "posterity will not see such a talent again in 100 years".
Diana Damrau, is one of the most sensational opera singers to emerge in the past decade. She has a sparkling voice that exudes personality, and her technique is so secure that she can concentrate her talents into bringing out a character's dramatic nuances. In Mozart's operas, she has already sung Kostanze in the "Entführung aus dem Serail," Susanna in "Le Nozze di Figaro," Servillia in "La Clemenza di Tito" and Fauno in "Ascanio in Alba." She has also assayed the lead roles in Donizetti's "Don Pasquale and L 'Elisir d 'Amore," Rossini's "Il Barbiere di Siviglia," Salieri's "Europa Riconosciuta" and Strauss' "Die Ägyptische Helena," "Ariadne auf Naxos," "Arabella" and "Der Rosenkavalier." While she is an outstanding and endearing presence in all these operas, the role where she remains nonpareil is as the Queen of the Night in The Magic Flute (Die Zauberflöte k. 620).
No other soprano, not even those legendary singers that include Lucia Popp, Roberta Peters, Luciana Serra or Sumi Jo, have mastered the role's technical and dramatic demands the way Damrau has in the past decade or so that she has been singing this extremely complex character. In the ten minutes that she is onstage, she breathes so much life into the Queen that she can save a performance from mediocrity.
Mrs. Damrau retired this singing part in 2006. Most opera stars sing the role and then put it away forever because it's so hard on the voice. Well, those are High Fs. A lot of them :-).
The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna.
I hope you enjoy this as much as I have. All my videos are available in HD (720p)!
You can buy the song on iTunes. And the DVD on Amazon: <a href="http://www.amazon.com/Mozart-Die-Zauberflöte-Simon-Keenlyside/dp/B0000C5RQF/ref=sr_1_4?ie=UTF8&qid=1358422974&sr=8-4&keywords=the+magic+flute" rel="nofollow">www.amazon.com/Mozart-Die-Zauberflöte-Simon-Keenlyside/dp/B0000C5RQF/ref=sr_1_4?ie=UTF8&qid=1358422974&sr=8-4&keywords=the+magic+flute</a>
Please Note:
I do not claim copyright or ownership of the song played in this video. All copyrighted content remains property of their respective owners!
Here is another one of my favorite Mozart pieces,it's from the Opera Die Zauberflöte K. 620 (The Magic Flute). Wolfgang Amadeus Mozart is one of my absolute favorite composers and I can't get enough of him :-) .
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty.
At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence on subsequent Western art music is profound. Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote that "posterity will not see such a talent again in 100 years".
Diana Damrau, is one of the most sensational opera singers to emerge in the past decade. She has a sparkling voice that exudes personality, and her technique is so secure that she can concentrate her talents into bringing out a character's dramatic nuances. In Mozart's operas, she has already sung Kostanze in the "Entführung aus dem Serail," Susanna in "Le Nozze di Figaro," Servillia in "La Clemenza di Tito" and Fauno in "Ascanio in Alba." She has also assayed the lead roles in Donizetti's "Don Pasquale and L 'Elisir d 'Amore," Rossini's "Il Barbiere di Siviglia," Salieri's "Europa Riconosciuta" and Strauss' "Die Ägyptische Helena," "Ariadne auf Naxos," "Arabella" and "Der Rosenkavalier." While she is an outstanding and endearing presence in all these operas, the role where she remains nonpareil is as the Queen of the Night in The Magic Flute (Die Zauberflöte k. 620).
No other soprano, not even those legendary singers that include Lucia Popp, Roberta Peters, Luciana Serra or Sumi Jo, have mastered the role's technical and dramatic demands the way Damrau has in the past decade or so that she has been singing this extremely complex character. In the ten minutes that she is onstage, she breathes so much life into the Queen that she can save a performance from mediocrity.
Mrs. Damrau retired this singing part in 2006. Most opera stars sing the role and then put it away forever because it's so hard on the voice. Well, those are High Fs. A lot of them :-).
The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna.
I hope you enjoy this as much as I have. All my videos are available in HD (720p)!
You can buy the song on iTunes. And the DVD on Amazon: <a href="http://www.amazon.com/Mozart-Die-Zauberflöte-Simon-Keenlyside/dp/B0000C5RQF/ref=sr_1_4?ie=UTF8&qid=1358422974&sr=8-4&keywords=the+magic+flute" rel="nofollow">www.amazon.com/Mozart-Die-Zauberflöte-Simon-Keenlyside/dp/B0000C5RQF/ref=sr_1_4?ie=UTF8&qid=1358422974&sr=8-4&keywords=the+magic+flute</a>
Please Note:
I do not claim copyright or ownership of the song played in this video. All copyrighted content remains property of their respective owners!
"Retaliation" and "Retaliate" redirect here. For other uses, see Retaliation (disambiguation) and Revenge (disambiguation).
__________________________________________
Search Terms
The concepts of vengeance
A dot or a coma? Or a "comatose" coma?
Who will avenge Stalin's sacrificial victims, like, for example, Marshal Putna?
Stalin on Vengeance:
"My greatest pleasure is to choose one’s victim, prepare one’s plans minutely, slake an implacable vengeance, and then go to bed. There’s nothing sweeter in the world."
Joseph Stalin
"sweet revenge"
Who will avenge Trotsky?
Who will avenge Trotsky's victims?
Who will avenge Jesus Christ?
Christ's submission and meekness as ultimate Vengeance in Christianity, its psychology, elements of hypocrisy, social aspects: as the mechanism of social control
Who will avenge the killed and wounded police officers, and how, and is it needed?
The concepts of vengeance in Judaism, Christianity, Islam, Buddism, other religions, ancient and modern societies
"Eye for an eye, tooth for a tooth"
Maimonides on Vengeance
Vengeance in philosophy
Vengeance in literature
Hamlet and Vengeance
vengeance movie
vengeance in opera
Transcultural perspectives on vengeance
Vengeance as the psychological defense mechanism: "Just do it!"
Denial of Vengeance as the psychological defense mechanism
Vengeance and the psychological "insecurity"
The concepts and practice of Vengeance in Intelligence Services, examples
The concepts and practice of Vengeance in human interactions, military psychology, inter-government relations, diplomacy
War as Vengeance
Vengeance and Law
Vengeance and vigilantism
Vengeance and Social injustice
Vengeance and Social Justice
-
-
Comments
Post a Comment